The Philosophical Forum, Volume 52, Issue 4, Page 285-453, Winter 2021.

The question of whether movies can deliver philosophical content is a leading topic in the cognitive and analytic debate on film. But instead of turning to the well-trodden terrain of narrative and emotional engagement, this is the first time fashion and costume choices are analyzed to demonstrate how movies can be said to be doing philosophy. Considering how fashion and costumes can deliver the epistemic content of a film and act as a guidance to the interpretation of the philosophical content (...) of a film, Laura T. Di Summa examines fashion and costume choices in classical and contemporary films. She discusses a number of cinematic examples, and the costumes and fashion elements within them, illustrating the importance of issues such as the performative side of fashion, the alteration between novelty and repetition, the pivotal role of the body, and the relation between fashion, style, and individual as well as collective identity. Featuring close examinations of 1950s melodramas, Hollywood blockbusters and documentaries such as All That Heaven Allows, Mad Max Fury Road, and McQueen, Di Summa uses an innovative new lens to provide fresh philosophical analysis of films. The result is not only an advancement of our understanding of the aesthetic means through which film can do philosophy, but the first insights into a philosophy of fashion. (shrink)

In the 1990s, Laurie Shrage critiqued dominant semiotic and psychoanalytic approaches to film, advocating instead for a contextual analysis attentive to audience reception. Drawing on Christopher Strong (Arzner, 1933), Shrage highlighted its capacity to “disturb patriarchal sensibilities,” particularly in its portrayal of women and marriage. This paper revisits Shrage’s thesis to explore how the film addresses issues that remain relevant today, including female agency within and beyond the institution of marriage. I argue that while the film has been recognized for (...) its narrative and dialogue, its engagement with themes such as women’s employment, motherhood, and caregiving remains critically underexplored. Through a close reading that incorporates cinematic elements, such as costume design, I examine how these themes shape the protagonist’s sense of autonomy and complicate traditional narratives of romantic drama. By situating the film within both its historical and contemporary contexts, I aim to demonstrate its enduring relevance and the significance of returning to questions of spectatorship—what we are meant to see and what we might learn to see anew through a critical, feminist lens. (shrink)

Fashion is immediately associated with looks. Its popularity and its most consumerist sides thrive in our current culture of image, further highlighting the connection between fashion and an aesthetic that is quintessentially visual. While it is impossible to deny such a connection, this paper explores the relationship between fashion and touch and fashion and “feel”, two terms that, albeit related, deserve independent consideration. I will begin by emphasizing the importance of seeing fashion in relation to a performative understanding of identity, (...) which is experiential, embodied, situated, and, quite simply, “in movement”. Such an understanding, crucial for a better grasp of sartorial design, is inevitably linked to a tactile understanding of fashion: from the selection of fabrics to the silhouettes and cuts that allow a sketch to move to a garment in three dimensions. But, crucially, a performative understanding of identity is also the starting point for a reflection on touch and fashion in our everyday tasks and judgments, judgments that often move from the aesthetic sphere to other value areas and the broader socio-political context. To further cement my arguments, I will conclude the paper with two case studies: sportswear and maternity wear. (shrink)

There is space for children in philosophy. They are mentioned in debates over the rationality of love and in ethical and pedagogical debates on the nature of parenthood. There is also a field devoted to teaching philosophy to children. But there isn’t much discussion on children and aesthetics, on their aesthetic judgments and preferences, and on what it is like to build an aesthetic for children. There is virtually nothing on how children’s aesthetic preferences affect not only the adults they (...) will eventually become but also the adults with whom they live—their parents. In this paper, I approach the topic by looking at young children’s literature, specifically literature for children whose reading depends on the presence of an adult or, at the very least, of someone who is able to read to them. I will begin by looking at the practice of reading with children: what is read, when, and how. Responding to these questions can pave the way to answering another question: namely, why do we read to them? While the answer to the latter question may seem obvious given the extensive studies on the benefits of reading to young children, I believe an appeal to children’s aesthetics can complicate the answer and further contribute to the discussion on loving them, on growing as a parent, and on loving what they love. (shrink)

The attention that prominent fashion houses have been paying to climate change and environmental concerns has never been so prominent. Fashion week of 2019 and 2020 made such a concern a staple of the fashion discourse. Designers and fashion houses are exploring fabric alternatives such as Piñatex (derived from discarded pineapple skins), they are advertising their runways as “carbon neutral,” and fashion colossuses such as Burberry, Gap, Levi’s, and H&M are vowing to reduce greenhouse gas emission by 30% by 2030. (...) However, the genuine nature of such intentions is not impermeable to criticism. While “sustainable fashion” – arguably the “it” vocabulary choice of the past couple of years – certainly has its praiseworthy sides, it is also, at times, another strategy to spike consumerism. In this chapter, I aim to investigate the viability of fashion’s current interest in environmental concerns in light of an analysis of fashion’s most indisputably prominent side: its relation to the aesthetic realm. Playing along the lines of the analytic debate gauging the relative impact of ethical values over aesthetic values and vice versa, I will consider how aesthetic demands can be steered by the necessity of ethical reflection without for this reason erasing, or at least hiding, the appreciation of style, glamour, and couture. I will conclude with a reassessment and potential solution, based on the inherently performative side of fashion, to the question of whether sustainable fashion can be seen as a current, viable, and potentially effective way of responding to contemporary environmental concerns. (shrink)

The relationship between architecture and urban centers and concepts such as community and identity is undeniably complex and has been described, by both philosophers and architectural theorists, in radically different ways. In this essay, I will focus on the contrast between the role of architecture and cities as providers of a sense of identity while also emphasizing the risks associated with this conception. I will begin with an overview of a few theories arguing—on aesthetic, moral, and functional grounds—for the necessity (...) of a connection among architecture, identity, and community. I will then move, in the second part, to what can be seen as the critical and theoretical dismantling of such a notion: a dismantling that, however, does not end the discussion of identity as much as it problematizes it. Architecture and urbanism, I aim to show, are still discussing the means and terms of the debate on identity, but the interpretation of such a concept has changed in significant ways. Specifically, in the second and last section of the essay, I will argue for what I will refer to as a terminological and conceptual change: for if identity is lost, or too ambitious a goal, identification, and the practices leading to it are still “in the making.” Learning to identify might be even harder than finding identity, but it has become an essential skill in our present, multicultural, and dangerously fluctuating society. (shrink)

Can a Naturalist Definition of art replace the historical and institutional positions argued for by philosophical aesthetics? This article considers Denis Dutton’s work in evolutionary psychology and his cluster Naturalist Definition of art. I begin with an analysis of the validity of what Dutton takes to be the most important criterion: Imaginative Experience. I propose a criticism of Dutton’s set of criteria coupled with a re-evaluation of what may be implied when referring to a naturalist basis for the arts. Specifically, (...) I argue that philosophical aesthetics, which has been criticized by Dutton as a form of cultural relativism, is instead able to address features of our interaction with the arts that have adaptive and evolutionary value. (shrink)

In this chapter, I critically assess the ability of autobiographical documentary to convey an authentic portrayal of the self and analyze the cinematic means through which autobiographical documentaries may be able to do so. I compare and outline the chief differences between autobiographical documentaries and literary memoirs and assess the ways in which cognitive analysis of film and post-structuralist accounts within film theory and documentary studies have dealt with the distinction between fiction and nonfiction. I lastly consider new avenues of (...) autobiographical expression such as the ones potentially offered by social media, blogs, video diaries, personal websites, and so on. (shrink)

This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social (...) issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject. (shrink)

Philosophy has long either dismissed or paid only minimal attention to creativity, and even with the rise of research on imagination, the creative imagination has largely been ignored as well. The aim of this volume is to correct this neglect. By bringing together existing research in various sub-disciplines, we also aim to open up new avenues of research. The chapters in Part I provide some framing and history on the philosophical study of imagination and creativity, along with an overview of (...) the empirical literature. Part II explores imagination and creativity as they manifest in, and in turn shape, the individual. Part III surveys the role of imagination and creativity across a wide variety of artistic domains, and the chapters of Part IV turn to societal domains. Part V focuses on the interplay of imagination and creativity with regard to particular features of creative subjects and different kinds of creative subjects. *** -/- Part I: Theories and Approaches 1. Theories of Imagination (Peter Kung) 2. Theories of Creativity (Julia Langkau) 3. Historical Treatments of Imagination in the Western Tradition (Lucia Oliveri) 4. Historical Treatments of Creativity in the Western Tradition (Elliot Paul) 5. Non-Western Treatments of Imagination (Reza Hadisi and Jing Iris Hu) 6. Non-Western Treatments of Creativity (Nicolas B. Verger and Vlad Glăveanu) 7. Empirical Treatments of Imagination and Creativity (Dustin Stokes) 8. Experimental Philosophy of Imagination and Creativity (Michael T. Stuart) 9. The Relationship between Imagination and Creativity (Margherita Arcangeli) -/- Part II: Imagination and Creativity in Mind and Action 10. Imagination, Creativity, and Skill (Amy Kind) 11. Imagination, Creativity, and Attention (Bence Nanay) 12. Imagination, Creativity, and Agency (Caterina Moruzzi) 13. Imagination, Creativity, and Emotion (Julien Deonna and Fabrice Teroni) 14. Imagination, Creativity, and Embodiment (Adriana Clavel-Vázquez and María Jimena Clavel Vázquez) 15. Imagination, Creativity, and Gender (Luke Roelofs) 16. Imagination, Creativity, and Race (Nicholas Whittaker) 17. Imagination, Creativity, and Child Development (Thalia Goldstein, Anna Sofia Caruso, Darian Stapleton, and Lamin Fatty) -/- Part III: Imagination and Creativity in the Arts 18. Imagination, Creativity, and the Visual Arts (Claire Anscomb) 19. Imagination, Creativity, and Music (Matteo Ravasio) 20. Imagination, Creativity, and Fiction (Hannah H. Kim) 21. Imagination, Creativity, and Dance (David Davies and Anna Pakes) 22. Imagination, Creativity, and the Culinary Arts (Patrik Engisch) 23. Imagination, Creativity, and Film (Murray Smith) 24. Imagination, Creativity, and Acting (Tzachi Zamir) 25. Imagination, creativity, and fashion (Laura T. Di Summa) -/- Part IV: Imagination and Creativity in Society 26. Imagination and Creativity in the Scientific Realm (Alice Murphy) 27. Imagination and Creativity in the Moral Realm (Tim Mulgan) 28. Imagination and Creativity in the Political Realm (Avshalom Schwartz) 29. Imagination and Creativity in the Law (Maksymilian Del Mar) 30. Imagination and Creativity in the Religious Realm (Neil Van Leeuwen) 31. Imagination and Creativity in Business (Eric Peterson) 32. Imagination and Creativity in Times of Crisis (Jennifer Fraser and Noah Stemeroff) Part V: Emerging Issues in Imagination and Creativity Research 33. Imagination, Creativity, and Aphantasia (Andrea Blomkvist) 34. Imagination, Creativity, and Neurodivergence (Sofia Ortiz-Hinojosa) 35. Imagination, Creativity, and Non-Human Animals (Henry Shevlin) 36. Imagination, Creativity, and Artificial Intelligence (Peter Langland-Hassan) 37. Collective Imagination and Collective Creativity (Nick Wiltsher) . (shrink)

In this article, we bring Maria Montessori’s pedagogy into conversation with contemporary developments in cognitive science and the philosophy of mind. In particular, we seek to show that Montessori’s “prepared environment” provides a context within which cognitive tasks are performed in the interfaces and interactions among brains, bodies, and concrete mathematical materials. For ease of illustration, we will focus on one particular Montessori material—the “Stamp Game,” used by children of approximately ages 4–7 for ordinary arithmetic. In both cases, our goal (...) is, first, to show the way in which this particular material can be enmeshed with a particular child’s brain and body in order to become capable of complex mathematical operations. In that sense, we argue that the child + stamp-game or child + square-root-board constitutes a case of what contemporary philosophers call “extended cognition,” that is, a “cognitive process … _constituted_ or _realized_ by resources distributed across the brain, the body, and the environment” Kirchhoff & Kiverstein (_Extended consciousness and predictive processing: A third wave view_, 2019, 8). Here we highlight that extended cognitive systems can not merely enact mathematical _operations_ but can actualize mathematical _understanding_. (shrink)

We are gratefully indebted to the three reviewers who took the time and care to closely read and review Will Work For Food: Labor Across the Food Chain, in addition to Colleen Hammelman who has coordinated this forum for Agriculture and Human Values. In this piece, we respond to the three reviews of our book.

Human faces are one of the most prominent stimuli in the visual environment of young infants and convey critical information for the development of social cognition. During the COVID-19 pandemic, mask wearing has become a common practice outside the home environment. With masks covering nose and mouth regions, the facial cues available to the infant are impoverished. The impact of these changes on development is unknown but is critical to debates around mask mandates in early childhood settings. As infants grow, (...) they increasingly interact with a broader range of familiar and unfamiliar people outside the home; in these settings, mask wearing could possibly influence social development. In order to generate hypotheses about the effects of mask wearing on infant social development, in the present work, we systematically review N = 129 studies selected based on the most recent PRISMA guidelines providing a state-of-the-art framework of behavioral studies investigating face processing in early infancy. We focused on identifying sensitive periods during which being exposed to specific facial features or to the entire face configuration has been found to be important for the development of perceptive and socio-communicative skills. For perceptive skills, infants gradually learn to analyze the eyes or the gaze direction within the context of the entire face configuration. This contributes to identity recognition as well as emotional expression discrimination. For socio-communicative skills, direct gaze and emotional facial expressions are crucial for attention engagement while eye-gaze cuing is important for joint attention. Moreover, attention to the mouth is particularly relevant for speech learning. We discuss possible implications of the exposure to masked faces for developmental needs and functions. Providing groundwork for further research, we encourage the investigation of the consequences of mask wearing for infants’ perceptive and socio-communicative development, suggesting new directions within the research field. (shrink)

The primary purpose of the current research was to examine the psychometric properties of the Time Flow Mindfulness Questionnaire, a new self-report scale designed to measure cognitive, emotional, bodily, context-related, and action-related distracting inputs experienced by the mind during three different time windows of mindfulness practice. The 42-item scale assesses the following second-order and first-order factors: Practice, Benefits and Benefits at work. Three studies were conducted. The first study assessed the factor structure and internal consistency on a sample of 141 (...) mindfulness practitioners. Using a two-wave lagged design on a different sample of 46 trainees attending mindfulness based stress reduction courses, the second study examined concurrent validity by performing correlations between the TFMQ and Five Facets Mindfulness Questionnaire. The third study examined criterion validity by testing a structural equation model wherein mindfulness practice predicts job burnout, both directly and indirectly through mindfulness benefits at work. All studies relied on anonymous surveys. Our findings suggest that the TFMQ: has a factor structure consistent with the hypothesized conceptual dimensions; has good concurrent validity as demonstrated by significant correlations with the FFMQ dimensions; and consists of mindfulness dimensions that predict job burnout in organizations. The TFMQ is a valid and reliable mindfulness measure that may help practitioners gain awareness of different types of inputs that potentially distract the mind and mindfulness beneficial consequences, and organizations implement mindfulness in work-settings. (shrink)

In this essay, we suggest practical ways to shift the framing of crisis standards of care toward disability justice. We elaborate on the vision statement provided in the 2010 Institute of Medicine (National Academy of Medicine) “Summary of Guidance for Establishing Crisis Standards of Care for Use in Disaster Situations,” which emphasizes fairness; equitable processes; community and provider engagement, education, and communication; and the rule of law. We argue that interpreting these elements through disability justice entails a commitment to both (...) distributive and recognitive justice. The disability rights movement's demand “Nothing about us, without us” requires substantive inclusion of disabled people in decision‐making related to their interests, including in crisis planning before, during, and after a pandemic like Covid‐19. (shrink)

This book offers a broad and timely perspective on research on olfaction and its current technological challenges. It specifically emphasizes the interdisciplinary context in which olfaction is investigated in contemporary research. From aesthetics to sociology, from bioengineering to anthropology, the different chapters discuss a wide variety of issues arising from olfaction research and its application in different contexts. By highlighting the overlaps between different areas of research, the book fosters a better communication between disciplines and leads towards a better understanding (...) of the role of olfaction in human perception and cognition. This inspiring read is of interest to students, researchers and practitioners in psychology, philosophy, bioengineering, and cultural studies. (shrink)

This chapter reports the results of several studies designed to explore the gender stereotypes that professional philosophers and philosophy students hold about philosophy. We found that both women and men explicitly associate philosophy with maleness. However, the implicit picture was more complicated and surprising. Men tend to implicitly associate philosophy with maleness, but women tend to implicitly associate it with femaleness. We explore the implications of these findings for explanations of the underrepresentation of women in philosophy that turn on implicit (...) bias and stereotype threat. We argue that our findings are compatible with these explanations, and that they suggest a hopeful picture for the prospects of combating stereotype threat among women in philosophy. (shrink)

Sensorimotor incorporation is the most intimate form of environmental dependence; it transforms external objects into an integral part of ourselves, often changing our agency irreversibly. Existing accounts oscillate between excessively strong conceptions, which limit incorporation to body-part-like objects, and weaker views, which equate it with skillful tool use. Building on enactive ideas, we propose an operational definition of incorporation that avoids these extremes by emphasizing two key features: portability, the capacity to use the incorporated object across contexts, and irreversibility, the (...) transformation of agency such that the object becomes central to the agent’s viability. An object is central when its loss renders the agent’s form of life unviable or requires significant adaptive effort to restore viability, in either case affecting her identity. We further argue that only concrete objects—those whose potentialities are actualized through interaction—can be incorporated. Incorporation, thus, forms an integrated agential system that is portable, versatile, and operationally dependent on the incorporated object. While the incorporated object becomes central for a given agent’s form of life, it can still be replaced by another particular object, provided it can be equivalently concretized. This account clarifies the nature and apparent paradoxes of incorporation and its role in shaping sensorimotor agency. (shrink)

Our commentary suggests that different materialities (fragile, enduring, and mixed) may influence cognitive evolution. Building on Stibbard-Hawkes, we propose that predictive brains minimise errors and seek information, actively structuring environments for epistemic benefits. This perspective complements Stibbard-Hawkes' view.

Background: Serious games have shown positive results in increasing motivation, adherence to treatment and strengthening the therapeutic alliance in multiple psychiatric disorders. In particular, patients with impulse control disorders and other disorders in which the patient suffers from inhibitory control deficits have been shown to benefit from serious games.Aim: The aim of this study was to describe the characteristics and to evaluate the usability of a new serious videogame, e-Estesia. This serious videogame was designed to improve emotion regulation in patients (...) with gambling disorder. Preliminary results from a pilot sample are also reported.Method: A pilot sample of 26 patients undergoing treatment for GD was recruited. Participants used e-Estesia on a tablet, which was connected to a thoracic band that sent heart rate and heart rate variability data to the videogame platform in order to provide biofeedback. The System Usability Scale was completed by patients to determine the usability of e-Estesia.Results and Discussion: e-Estesia performed comparatively well for all the explored groups. Around 84.6% of the patients endorsed that it was easy to use. Female patients with GD presented higher HRV during the use of the serious videogame compared to men. (shrink)

The present study had two main aims: to determine whether deaf children show higher rates of key behaviors of ADHD and of Conduct Disorder—CD— than hearing children, also examining whether the frequency of these behaviors in deaf children varied based on cochlear implant use, type of school and level of receptive vocabulary; and to determine whether any behavioral differences between deaf and hearing children could be explained by deficits in inhibitory control. We measured behaviors associated with ADHD and CD in (...) 34 deaf and hearing children aged 9–10 years old, using the revised Spanish version of the Conners scale. We then assessed inhibitory control ability using a computerized Stroop task and a short version of the Attention Network Test for children. To obtain a measure of the level of receptive vocabulary of the deaf children we used a Spanish version of the Carolina Picture Vocabulary Test for Deaf and hearing-impaired children. Deaf children showed significantly higher rates of behaviors associated with ADHD and CD, and over 85% of cases detected with high risk of ADHD-inattentive type in the entire present sample were deaf children. Further, in the group of deaf children a negative correlation was found between receptive vocabulary and frequency of disruptive, aggressive, or antisocial behaviors associated with CD. However, inhibitory control scores did not differ between deaf and hearing children. Our results suggested that the ADHD-related behaviors seen in deaf children were not associated with a deficit in inhibitory control, at least in the interference suppression subcomponent. An alternative explanation could be that these behaviors are reflecting an adaptive strategy that permits deaf children to access information from their environment which is not available to them via audition. (shrink)

Review of Lynn Gwenn-Aël and Debra Parr (eds) (2021) _Olfactory art and the political in an age of resistance. _New York: Routledge, ISBN 9780367544751.

Editor's IntroductionWhen Oxford University Press sent us the three enormous volumes of Irwin's The Development of Ethics, we had two thoughts: First, the book is very important and demands a review; second, since human sacrifice is abolished in North America, it will be very difficult to find a reviewer. We handed the volumes to several interested persons, who in the end returned the books saying the task was beyond them. Then, my wife, a lifetime worker at that center of communal (...) thought, the United Nations, suggested that we form a team to review the book. We put an announcement out on the Web, asking for reviewers to do a chapter each, at 250 words a review. We got several hundred volunteers, and chose 82 to review the 96 chapters of Irwin. We got 81 of 82 reviews, 75 before the deadline, six slightly later. For purposes of completeness, I filled in the sole missing review. Would that the students in my seminars were so punctual! I would like to thank Elyse Turr at Oxford University Press for the PDFs, and my 82 reviewers for their expertise and diligence. I am grateful to all the volunteers who showed an interest in this strange and perhaps unprecedented project, and who patiently endured the vetting process. Special thanks is due to Laura di Summa, who coordinated all the pieces of this incredible puzzle. Did we accomplish something, something new, by mobilizing 82 minds to review one book? I hope so, but I can now only say what they say on television: “America, it's up to you.”. (shrink)

This interdisciplinary volume brings together expert researchers coming from primatology, anthropology, ethology, philosophy of cognitive sciences, neurophysiology, mathematics and psychology to discuss both the foundations of non-human primate and human social cognition as well as the means there currently exist to study the various facets of social cognition. The first part focusses on various aspects of social cognition across primates, from the relationship between food and social behaviour to the connection with empathy and communication, offering a multitude of innovative approaches (...) that range from field-studies to philosophy. The second part details the various epistemic and methodological means there exist to study social cognition, in particular how to ascertain the proximal and ultimate mechanisms of social cognition through experimental, modelling and field studies. In the final part, the mechanisms of cultural transmission in primate and human societies are investigated, and special attention is given to how the evolution of cognitive capacities underlie primates’ abilities to use and manufacture tools, and how this in turn influences their social ecology. A must-read for both, young scholars as well as established researchers! (shrink)

The 2015 film Lost and Beautiful, directed by Pietro Marcello, en­deavors in aesthetically compelling ways to decenter the human in the frame and engage viewers in what Gilles Deleuze and Felix Guattari term becoming animals. Part documentary film, part fairytale, this film tells the story in the nonhuman first person, of the life and journey of a water buffalo calf in the south of Italy and his relationship with the shepherd who saved him from pre­mature death, and later, with Pulcinella, (...) a mythological figure from Neapol­itan folklore, who accompanies him in a journey north. Adopting ecocritical and posthuman perspective and providing elements of environmental cultural history, this article analyses the aesthetic and narrative strategies the film em­ploys to grant subjectivity to a nonhuman protagonist and, in turn, address the viewers. Advocating for the conservation of human artifacts while also posing the question of animal rights and agency, Lost and Beautiful powerfully gestures toward a non-anthropocentric cinema. (shrink)

Resumo A era do Antropoceno, marcada por recursos limitados e responsabilidade compartilhada pelo seu uso, exige que os ambientes educacionais sirvam de modelo para práticas ecologicamente sustentáveis contra o uso indevido e o desperdício de recursos. Para isso, os ambientes de aprendizagem devem espelhar as realidades ecológicas do Antropoceno, oferecendo recursos limitados a serem compartilhados e preservados entre as gerações. Eles também devem promover práticas democráticas e participativas para distribuir a responsabilidade pela conservação dos recursos. Dada a urgência de redirecionar (...) as práticas educacionais para a sustentabilidade, nos baseamos no bem estabelecido Método Montessori, que exemplifica o aprendizado eco-sustentável ao integrar recursos locais com ferramentas educacionais especialmente projetadas. Além disso, seus princípios de liberdade, organização, cuidado e rituais demonstram a participação democrática na governança. (shrink)

The purpose of this cross-sectional investigation was to examine the item characteristics, factor structure, reliability, convergent validity, and construct validity of the Psychobiosocial States in Physical Education (PBS-SPE) scale. In Study 1, a sample of 1,030 students (582 girls and 448 boys, 10 to 19-year-olds), drawn from middle or high schools, rated the intensity of the 20 items version of the PBS-SPE scale thinking about the feelings they had usually experienced in physical education classes. In Study 2, an additional sample (...) of 1,025 students (578 girls, 447 boys, 10 to 19-year-olds), rated the 16 items of the final version of the scale. Two subsamples also completed an affective-related measure (i.e., the Physical Activity Enjoyment Scale) and two motivation scales often used in the physical education domain (i.e., the Teacher-Initiated Motivational Climate in Physical Education Questionnaire and the Situational Motivation Scale). Exploratory structural equation modeling and confirmatory factor analyses of the data showed that a two-factor, 16-item solution (i.e., 8 pleasant/functional items and 8 unpleasant/dysfunctional items) of the PBS-SPE scale reached satisfactory fit indices. Multi-group comparisons provided support for measurement and structural invariance across samples, gender, and age. Convergent and construct validity was also upheld. Overall, the findings offer support for the use of a new instrument in the assessment of psychobiosocial states in physical education settings. (shrink)

As a theoretical extension of other previous studies, this work represents an improvement of the notions about the relationship between adolescence and Mafia. The research has been aiming at exploring teenagers’ universe within specific social contexts where the presence of criminal organizations is significant, focusing the attention on the modalities through which evolutionary tasks are coped with in contexts with high Mafia density and often characterized by a perception of social space that makes personal, financial, and political development problematic. The (...) research has involved 93 teenagers who live in southern regions where the presence of Mafia organizations is significant. Six focus groups have been carried out, recorded, and transcribed. Verbalizations were analyzed through appropriate qualitative templates, which allowed detecting of three thematic macro-areas: representations of Mafia, emotions connected to it, and planning skills. The qualitative analy.. (shrink)

The creation of cultural information by humans is an ability that requires to compound together different factors. Although information needs to be transmitted faithfully enough so to prevent errors, space must be left to create innovations at the same time. Individual trial and error is the principal source of innovations among all primate species, especially in emulative contexts, but it does not explain the quantity, quality or rapidity of human cultural production. On the other hand, imitation and (over)imitation explain quite (...) well faithful transmission and error control but do not explain the creation of cultural novelties nor the ratchet effect of human culture. To explain these latter components, we need a combination of trial and error in emulative contexts and (over)imitation. Here we suggest that this combination of the ability in creating innovations and transmitting them faithfully occurred for the first time during the Palaeolithic. In that time frame, we can detect the establishment of imitation as the main social learning strategy in the genus Homo. Adopting a niche construction (henceforth NC) paradigm, we propose that this combination became a social characteristic of Homo sapiens which ontogenetically happens when children reach the school age in modern humans. (shrink)

Objetivo: Analizar los riesgos psicosociales sufridos durante la pandemia por docentes. Método: Análisis descriptivo correlaciones y de comparación de medias. Muestra: 265 docentes no universitarios. Instrumentos: Cuestionario validado extraído de UNIPSICO Battery, Evaluación del Burnout- BAT y Escala de Inseguridad Laboral y cuestionario ad-hoc para medir recursos, información, medidas e impacto. Resultados: Inequidad seguido de sobrecarga son los mayores riesgos. Perciben falta de justicia organizacional, conflicto de rol e interpersonal, mayor carga de trabajo. Apoyo social alto. Recursos, información y medidas (...) insuficientes y un impacto moderado-alto en su desempeño profesional. Valores no significativos en cuanto a burnout y salud. (shrink)

Objetivo: Analizar los riesgos psicosociales sufridos durante la pandemia por docentes. Método: Análisis descriptivo correlaciones y de comparación de medias. Muestra: 265 docentes no universitarios. Instrumentos: Cuestionario validado extraído de UNIPSICO Battery, Evaluación del Burnout- BAT y Escala de Inseguridad Laboral y cuestionario ad-hoc para medir recursos, información, medidas e impacto. Resultados: Inequidad seguido de sobrecarga son los mayores riesgos. Perciben falta de justicia organizacional, conflicto de rol e interpersonal, mayor carga de trabajo. Apoyo social alto. Recursos, información y medidas (...) insuficientes y un impacto moderado-alto en su desempeño profesional. Valores no significativos en cuanto a burnout y salud. (shrink)